- [1]
Jelkabalubaluna name of ancestral being
Etymology:
Derived from jelka
edible type of small onion which is eaten with special liking by the Aborigines, balu
naked, peeled, and -na
he. Meaning: the particular tribal ancestor or demi-god
Reuther: "Untergott"
who invoked the Mura for jelka
bulbs
Mythology:
He appears among the Ngamani [tribe], and was killed by his two wives at Puntatiti. His marks of distinction are a special head billi
net-bag and a walking stick in the hand
See, under muramura No.6, the insignia worn by the performer of songs of Mandramankana.
During the [dramatic] performance of his ceremonial songs jelka [bulbs] are scattered about, just as he [once scattered] them, so that they might spread in all directions.
- [2]
Killawilina name of ancestral being
Etymology:
From killa
female genitalia and wilina
to move, sway, vibrate. Meaning: 'for a woman's vagina to wobble, vibrate'.
Mythology:
[Killawilina ] was a Diari muramura. He got his name from the fact that he once saw a naked girl dancing (kumana), during which her vaginal labia were moving up and down. He [then] wanted this girl to be his wife. He was the first person to pray for birds and eggs, wherefore his invocatory songs are still re-enacted to this day. During their performance time is maintained with [the aid of] a a stuffed cushion made of animal skin. A piriltja is worn on the head, and down(-feathers) are stuck on all over the body.
In Dilpirini he killed his uncle (kaka), because the latter had tempted away the girl referred to above. At Beltana he wandered beyond the boundary of the Diari tribe, [moving] in a southerly direction. [Here] the legend then breaks off.
Xref:
No. 51, No. 161, No. 188, No. 259, No. 267
- [3]
Kujumokuna name of ancestral being
Etymology:
He was one of the tribal ancestors of the Karangura. From kuju = kidni in Diari penis and moku
bone. Meaning: 'bone[-like tissue] in a man's penis'.
Mythology:
He makes his appearance as a witchdoctor among the Karanguras to the north. He was killed at Kudnangauana. With him originated sorcery by boning. Since he possessed magical powers as a witchdoctor, even [after his death] his bones still had magical effect. They were therefore gathered up and used for purposes of witchcraft. Today, when a human bone is sharpened to a point: on a stone, his invocatory songs are [still] sung, so that the bone receives [the desired] magical power.
- [4]
Dimpiwalakana name of ancestral being
Etymology:
[He was a muramura among the] Diaris. From dimpi
middle and walakana
to move towards, literally, 'to turn or toss oneself about'. Meaning: 'person who sleeps in the middle and rolls or moves over'.
Mythology:
The fact is, he slept between his two daughters-in-law (taru) and used to [roll over] close to them during the night. He made his first appearance at Pitjiriwomawarantjini, but died in the vicinity of Kudnangaua where his body [now] lies petrified. He has become the prototype for the collecting of ochre, wherefore his invocatory songs are sung [in that connection]. His mark of distinction is a mangaworku, that is, a tassel of string (woven out of human hair) worn diagonally across the head, from which a tail hangs down over the back. From his two sons originated the kulauara game.
Xref:
No. 9, No. 206A, No. 208, No. 334A, No. 766, No. 981, No. 988, No. 1057, No. 1187, No. 1224, No. 1287, No. 1367, No. 1611, No. 1960, No. 2098, No. 2607, No. 2843, No. 3106, No. 3357, No. 3443, No. 3463, No. 3703.
- [5]
Nurawordubununa name of ancestral being
Etymology:
Diari. From nura
tail, wordu
short, and bununa
to make a scratch mark on the ground when dragging something along. Meaning: 'to drag one's short tail along the ground, so that the trail is visible'.
Mythology:
He appears as a katimarkara, that is, a crocodile, with a short tail; hence his name. In the invocatory songs he is the [proto-]type for [the request of] kapita, i.e. rat-like animals. He lived at Lake Hope. From him originated the nganpa, that is, the pubic covering which he spun out of kapita fur.
- [6]
Mandramankana name of ancestral being
Etymology:
Diari. From mandra
belly, stomach, manka
contrary, and -na
he. Meaning: 'one who has a stomach in reverse on his back'. The fact is, he had a hump-back, which protruded just like his stomach.
Mythology:
He rose to the surface at Kutjelidakana, and was killed at Balanbani by two young men because of [his interference with] two girls. At this latter place there is a stone on the plain, which was once his body. In his invocatory songs he asked for various bushes and plants, of which either the plant itself or its fruit is eaten. When the plants begin to grow after a rain, or when the seed-pods form (set) on the trees and bushes, his invocatory songs are chanted (ngurungutana) out in the open over bushes and plants, so that they may thrive well. In the process [the performer] places a billi which has been smeared with fat and red ochre on his head, and takes a wona
digging-stick in his hand.
- [7]
Wadlakurukurumalkana name of ancestral being
Etymology:
Wonkanguru and Tirari. From wadla
millstone and kurukurumalkana
to hide. Meaning: 'to hide a millstone'.
Mythology:
The two sons of this muramura were Murlapara and Kurukuku. The former means peaceful, with a crest on its head and refers to a species of pigeon. The second means to swallow whole seed. It, too, is a bird's name. The father bears this name, because secretly he carried off a huge millstone. He originated at Wadlangaringarina and carried his millstone as far as Kurljikurlji, where it is believed to be still lying today. For the local natives that is where his story ends. In his invocatory songs he appears as the [proto-]type for calling up the wind. In order not to be noticed with his huge millstone, he begged for a huge duststorm [to come up], in which he enveloped himself and went on his way. If in summertime someone desires a cool breeze during which to go on a journey, or hopes for a huge duststorm so as to annoy people, in either instance he sings the invocatory song [of this muramura]. The latter has no special emblem [or insignia].
- [8]
Pirra name of ancestral being
Etymology:
moon, derived from pirrapirra
round.
Mythology:
The moon was a pirnaru, that is, a highly respected man who originated at Mangurani. His wife was Ngatanimaralje
whitish child, because she had given birth to one such [child]. He ate puntara and marudunka, but gave none of it to his two sons, and they were angry about that. Once, when the father had climbed a tree in search of kudnijinka
wood-grubs, his two sons set the tree alight, whereupon the old [man] soared up, the tree into the sky, in the glare of the fire. At first he disseminated a very bright light, [so] they threw a kankunka
animal skin up at him, with which he could cover himself. [This accounts for] the present-day spots on the moon. Through his invocatory songs he has become the proto-type for those people who, for [lack of] water, are compelled to travel by night. These enchant the moon, so that it may move along faster, i.e. so that they may reach water all the sooner. In other words, the further the moon has advanced [in the sky], the greater the progress they have made, and the nearer they have come to water. For this reason his invocatory songs are sung whilst one is travelling along, naturally at night.
For a more detailed account of this legend, see Vol. X, pp. 21 and 22.
His ceremony (legend) is re-enacted in corroborees among the Jauraworka.
- [9]
Turupillana name of ancestral being
Etymology:
Diari. From turu
fire, pilla
burnt-out black coals, and -na
he. Meaning: 'one with burnt-out coals'.
Mythology:
It was he who devised the organisation of the wiljaru [with reference to the uninitiated].
Reuther: "das Wiljarusystem".
It was because he rubbed these [young men] with black coals after they had been besprinkled with blood, that he acquired the [above] name. He originated at Burukalani (see Map) His invocatory songs are sung on the occasion of a wiljaru [ceremony]. (See the legend and wiljaru).
- [10]
Pitiburuna name of ancestral being
Etymology:
Diari. From piti
backside; anus, buru
without, and -na
he Meaning: 'one who has no anus', one who lacks the natural [means of] excreting digested food.
Mythology:
He and his followers (people) suffered from painful wounds, when he opened up his own and their stomachs. His invocatory songs are sung, in order to afflict people with wounds (i.e. painful sores and syphilis, the latter however not of the present-day type), just because he and his followers were plagued with these when their bodies were opened up. The invocatory songs are ngilbi in character.
- [11]
Karawora name of ancestral being
Etymology:
Wonkanguru, signifies eagle or jeraba jukalina. Meaning: 'Why like this? I am no longer able to find out'.
- [12]
Wanduwandu name of ancestral being
Etymology:
Wonkanguru, meaning short; small.
Mythology:
This muramura and Karawora were together.
- [13]
Marikilla name of ancestral being
Etymology:
Ngamani. From mari
body and killa
ring. Meaning: 'rings around the body'.
Mythology:
This is the name of a snake which has coloured rings around its stomach. This muramura originated at Pitjirinindri and died at Milkipada, where his body lies petrified. During the chanting of his invocatory songs the [above] stone is prodded
Reuther: "gestoeckert", a non-Dictionary word.
with small sharp sticks, so that: this species of snake should increase, for it is eaten after the poisonous fangs have been removed.
- [14]
Wiparu name of ancestral being
Etymology:
Ngamani. From wipa
valley and -ru etja
inhabitant of
Reuther: "-aner".
Meaning: 'valley dweller'.
Mythology:
This is the name of a species of snake which lives on hard ground in the valleys. It is also the name of a woman. At Narani she was strangled, because whe was carrying on with young men. At the place where [her body] was burnt, a hole appeared [in the ground]. During the singing of her totemic songs sand is taken out of this hole and scattered upon the water, so that this species of snake may increase [in numbers].
- [15]
Widlapirna wulana name of ancestral being
Etymology:
two old or reputable women. This couple comprises Narimalpiri and Wadlangurunu .
Mythology:
Their totemic songs are sung, when cool breezes are expected to blow up in summer, so that it becomes possible to travel about. During the singing of the totemic songs, a feather is attached to a string and fastened to a stick. This is then let down into the water, so that the bottom end of the feather, which is smeared with gypsum, almost touches the surface of the water.
- [16]
Kadni name of ancestral being
Etymology:
female, Wankanguru. This is a species of lizard.
Mythology:
She originated as a girl at Wakuljurukupa, where she also died. Here lies her petrified body, which, during the singing of her totemic songs, is prodded with little sharp sticks, so that the [supply of] lizards may greatly increase. This [function] is performed by the women, who approach the stone, limping and panting as if they could not walk properly. The purpose of this is that the kadni should grow so fat that they cannot crawl properly and are thus more readily caught; they are also to be well flavoured.
- [17]
Tampangara name of ancestral being
Etymology:
male, Ngamani and Wankanguru. This is the name for pelican.
Mythology:
This muramura originated at Tampangara-minkani, where he [now] lies petrified. This stone, too, is prodded (naturally, whilst the totemic songs are being sung), so that the pelicans may lay plenty of eggs. He is the muramura, who, once upon a time, through his invocatory songs, implored the Mura for pelican eggs. In the act he painted himself with calcareous earth. This is still done today, whenever his stone is prodded or during the [relevant] corroboree.
- [18]
Kadimarkara name of ancestral being
Etymology:
male crocodile. From kadi
soft, juicy and markana
to crawl. Meaning: 'to crawl over soft ground'.
Mythology:
This muramura originated at Waritanpani. His invocatory songs are sung when a man has dysentery or sores. Their purpose is to restore health, because the muramura himself did this. During the chanting [of the songs] karku
red ochre is placed in the mouth.
- [19]
Darana name of ancestral being
Etymology:
male. From dara
desert, drought, dry spell and -na
he. He is the tribal ancestor who lived during a period of [great] drought.
Mythology:
His invocatory songs are sung for the purpose of rain, just as he [sang them]. He originated at Darani. A dry tree at Lake Hope stands at the spot where he emerged [from the earth]. Whenever his invocatory songs are sung, all the empty holes on this tree are smeared with clay, so that it has an attractive appearance. If the wind blows into these holes, then only a hot wind will follow, without: rain; but if the holes are plastered [shut], rain will follow.
- [20]
Pampu wulu name of ancestral being
Etymology:
male. From pampu
testicle and wulu
two. Meaning: 'two testicles'.
Mythology:
The two testicles of this muramura, [in the form of] two stones, are smeared with fat during the singing of the totemic songs, in order that rain may fall. They are held in secret reverence, and are not allowed to be seen by women. Should anyone scratch the fat and red ochre off these stones with his fingernails, the "deity" will be angry and no more rain will fall.
- [21]
Godagodana name of ancestral being
Etymology:
male, meaning to rain.
Mythology:
He and Pampuwuluna (No. [20]) belong together.
Xref:
No. 1522-20
- [22]
Kumankarani name of ancestral being
Etymology:
female. This [muramura] also belongs together with No. 20 and No. 21. The name means 'to make movements with the thighs', like women do when they dance.
Mythology:
Whilst the two stones are being sung' during the chanting of the totemic songs of Pampuwulana and Godagodana, the women dance, in other words, they move their thighs (like their ancestral mother [once] did, when she sang her totemic songs.
- [23]
Kekiljana name of ancestral being
Etymology:
male, means 'smooth'.
Mythology:
His totemic songs for [the sending of] rain are sung while a bundle of feathers is held in the hand.
- [24]
Maniwalkunu name of ancestral being
Etymology:
female. From mani
fat, walku
much, and -nu
she. Meaning: 'one who smears herself with a lot of fat'. When singing her totemic songs for [the sending of] rain, [the performers] smear themselves likewise with a thick [layer] of fat and red ochre.
- [25]
Mandraparkulunu name of ancestral being
Etymology:
female. From mandra
stomach, belly, parkulu
two, and -nu
she Meaning: 'woman with two stomachs, one in front and one at the back'. She is represented as having two faces.
- [26]
Killalpani name of ancestral being
Etymology:
female.
- [27]
Kudnawakunu name of ancestral being
Etymology:
female. From kudna
dung, excrement
waku
firmly, solidly, constantly and -nu
she, meaning 'woman who doesn't venture out of her wurley when responding to nature's call, but who constantly (waku) keeps on reciting her invocatory songs for rain'.
Mythology:
When her descendants petition for rain, they do so in a specially-erected wurley, and are not allowed to leave it for any length of time, even for the purpose of easing nature; were they to do so, no rain would result.
- [28]
Mululdrunu name of ancestral being
Etymology:
female, Jauraworka, means small, little, short. Her invocatory songs are only short; that is why she acquired this name. At first a big, heavy rain fell for several minutes, but because her invocatory songs were only of short duration, the rain soon stopped.
- [29]
Munjuruwani name of ancestral being
Etymology:
female, Jandruwanta. From munjuru
flies and wani
she. Meaning: 'one surrounded by lots of flies (whilst singing her invocatory songs for rain)'. Her invocatory songs for rain are sung, when there are extremely many flies about.
- [30]
Bukatani name of ancestral being
Etymology:
female. From buka
food and -ni
she. Meaning: 'one who provided lots of food (buka) by way of her invocatory song'.
Mythology:
The fact is that, since it rained very heavily as a result of her invocatory songs, lots of edible grass grew. Note: To each of these muramura, whose [ceremonies] are performed in the interests of rain, a special point is assigned on the horizon. Depending on from whichever direction the rain[-clouds] ascend in the sky, [it is claimed] that the invocatory song of one or the other muramura has been answered accordingly. (For the various points on the skyline, see elsewhere under talara).
- [31]
Noanandraniwulu name of ancestral being
Etymology:
name of female. From noa
spouse, nandrani, respectively nandrana
to beat; to kill, and wulu
two. Meaning: 'the two women who murdered their husband'.
Mythology:
Their invocatory songs have become the pattern [or prototype] for blood-avengers. As these women once did, so also the blood-avengers of today perform the same totemic rituals.
- [32]
Ngatanimarumaru name of ancestral being
Etymology:
female. Means 'black daughters', respectively children. From ngatani
children, on the mother's part, and maru
black. The point is, she had exclusively black children.
Mythology:
Her invocatory songs are sung during the giving of children's names - like she once did; also during the time of seed-harvest, when in spitefulness someone desires a wind to blow up, which shall scatter the seed so that it can longer be gathered.
- [33]
Ngatanimaralje name of ancestral being
Etymology:
female, meaning 'child with a ruddy complexion'.
Mythology:
This woman's children, who lived together with Ngatanimarumaru, had a fairer complexion [than their counterpart]. Hence their name.
- [34]
Pirnawarankana name of ancestral being
Etymology:
male. From pirna
big; very and warankana
to bend aside; to take evasive action.
Mythology:
During a fight [this muramura] always knew how to evade the boomerangs, so that none of them could hit him. Hence his name, meaning: 'one who always ducks aside quickly'. His invocatory songs are rehearsed during the collecting of ochre [supplies]. His emblem: a waterbag in the hand, with a bundle of twisted human hair (resembling two horns) tied diagonally across the [fore]head, from which a tail (ngapawajiri) hangs down over the back.
- [35]
Jeltjani name of ancestral being
Etymology:
female, Diari. meaning skinny.
Mythology:
[She acquired this name] because she was very thin. Her totemic songs are sung for the increase of frogs (tidnamara), during which her petrified body is prodded with small sticks by the women.
- [36]
Ngurrakarlana name of ancestral being
Etymology:
male, Ngamini. From ngurra
legs; worms and karla
lean, thin; Meaning: 'one who has thin worms'.
Mythology:
His invocatory songs are sung for the increase of emus, just as he [once] sang them. His emblem: the whole body covered or wrapped in emu-skins (called wakambara).
- [37]
Paraitjimandrani name of ancestral being
Etymology:
female. From paraitji
light, mandra
middle, and -ni
in. Meaning: 'in the centre of the light'.
Mythology:
For explanation, see the legend.
The narrative of this legend is to be found on pp. 50 to 57 in Vol. X.
Her totemic songs are burial songs, which are sung when someone dies, just as she [once sang them] when she lost her two daughters who had run away. Cf. ngankalkaterina
to comfort oneself.
- [38]
Kimilina name of ancestral being
Etymology:
male, Diari.
Mythology:
He was the first-born son of Wariliwulani. His invocatory songs are sung in quest of rain.
- [39]
Kirrapajirkana name of ancestral being
Etymology:
male, Diari. From kirra
boomerang, pajirka or pajiri
big; long, and -na
he. Meaning: 'one with a long boomerang'. By always carrying the latter around with him, he acquired this name.
Mythology:
His invocatory songs are sung in quest of fish, just as he himself did [of old]. His insignia is a dog's tail worn around the forehead.
- [40]
Balungopina name of ancestral being
Etymology:
male, Wonkanguru. From balu
naked; smooth and ngopina
to crouch, squat down together.
Mythology:
Since he had no more hairs on his head, he felt ashamed of himself; that is how he acquired his name. He originated at Ngaltjatara. It was he who introduced [the practice of] strangulation.
- [41]
Wapija name of ancestral being
Etymology:
male, Karangura.
Mythology:
This [muramura] was the first to devise circumcision.
- [42]
Markanjankurla name of ancestral being
Etymology:
male, Wonkanguru. From markanja
to crawl and kurla or patana
to seize, to grab.
Mythology:
He was the father of the Seven Sisters or of the Mankara Worana maidens. [This muramura] crawled down to the water's [edge] where his daughters were bathing, in order to grab them. The ceremony of circumcision, together with its totemic songs, are traced back to him also.
- [43]
Wiringujuna name of ancestral being
Etymology:
male, Wonkanguru. From wiri
hair and nguju
one. The point is, he always tied his hair together in a bunch, so that it stood straight up.
- [44]
Mankara-wulu name of ancestral being
Etymology:
female, two maidens.
- [45]
Minalajerkina name of ancestral being
Etymology:
male, meaning what is burning?.
- [46]
Ditji name of ancestral being
Etymology:
female, meaning sun.
- [47]
Mardaburutupara name of ancestral being
Etymology:
male, Ngamani.
- [48]
Miritirana name of ancestral being
Etymology:
male, Ngamani, meaning 'to devour the leaves from the centre, right out to the edge'.
Mythology:
His invocatory songs are sung for the increase of [edible] grubs (padi, respectively muluru). He had his origin at Turuwarapu.
- [49]
Kakatji name of ancestral being
Etymology:
female, Diari. [The name] signifies an insect (tjutju) which, by means of its body-fluids [or humours] forms kaka-daka, i.e. mounds like ants.
- [50]
Kuti name of ancestral being
Etymology:
female, meaning swan.
Mythology:
Her invocatory songs are sung for the increase of swans' eggs.
- [51]
Malkumalkuwulu name of ancestral being
Etymology:
female, meaning 'two little tails from the head-band, which hang down over the cheeks'.
Mythology:
He introduced the kulpi ceremony
Reuther: "das Kulpiwesen" 'subincision'.
.
- [52]
Milinga name of ancestral being
Mythology:
His invocatory songs are sung for the increase of [wild] dogs.
- [53]
Kapiri name of ancestral being
Etymology:
male, meaning type of goanna.
Ethnography:
[His invocatory songs are sung] for the increase of goannas.
- [54]
Kantalpadi name of ancestral being
Etymology:
Jauraworka. From kanta
grass and padi
snake,
This looks like an obvious mistake. Nowhere does Reuther list a type of snake known as a padi. These are all edible caterpillars. (See the complete list under padi nguja, Dictionary No. 2664).
signifying 'snake in the grass'.
Addition:
Scherer's note is incorrect as the word pardi means 'snake' in Yawarrawarka.
Ethnography:
[His invocatory songs are sung] for the increase of carpet-snakes (woma).
- [55]
Karlatura name of ancestral being
Etymology:
means turkey.
Ethnography:
[His invocatory songs are sung] for the increase of turkeys. On this occasion the people are taught how to build wurleys, and how to decorate (paint) their bodies etc., as he [once] did.
- [56]
Ngujupuntuna name of ancestral being
Etymology:
The name signifies full billi dilly-bag].
- [57]
Makatirina name of ancestral being
Etymology:
[The name] signifies glowing firestick.
- [58]
Matjamarpina name of ancestral being
Ethnography:
Jauraworka with outstanding markings painted on the body.
- [59]
Pintanganina name of ancestral being
Etymology:
Pillatapa. From pinta
red part in the mouth of a fish and ngani
to move. Meaning: 'for the red to move rapidly'. This applies to the fish.
Ethnography:
The invocatory songs [of this muramura] are sung for [the increase of] fish.
- [60]
Karuwandirina name of ancestral being
Etymology:
Jandruwanta. From karu
grey and wandiri
only, signifying 'only grey'. The point is that he had only grey hair.
Ethnography:
[This muramura] had his origin at Dakarawitjina. Here, even to this day, while his invocatory songs are being sung for the increase of emu eggs, [the performers] probe around with little sticks.
- [61]
Karluworankana name of ancestral being
Grammar:
masculine
Etymology:
From karlu
testicle and worankana
to disappear; to retire from.
Ethnography:
His invocatory songs are sung for [the increase of] kapukapu.
- [62]
Wariliwulani name of ancestral being
Ethnography:
one who wears a tall head-decoration. Her invocatory songs are sung for the increase of [edible] seeds.
- [63]
Warmapa name of ancestral being
Etymology:
Jauraworka. From warma
debris that collects at the water's edge and from ngapa
water. Meaning: 'bits of dry grass and leaves [that float on the surface] near the water's edge'.
Ethnography:
Her invocatory songs are sung for [the sending down of] the floodwaters.
- [64]
Tirawuldruna name of ancestral being
Etymology:
Jauraworka. From tira
mouth and wuldru
narrow, signifying a 'narrow mouth'.
Mythology:
This muramura was a tutor of the young men at the mindiri festival. To this day, therefore, at the mindiri festivals, the young men are still taught: [in detail about] the ritual ceremonies, etc.
- [65]
Kuterintja name of ancestral being
Etymology:
Jauraworka. This is [the name of] a huge animal that is now extinct.
Ethnography:
The invocatory songs for the increase of this animal are sung at the instigation of [the muramura]. They are [now] obsolete.
- [66]
Kakalpuna name of ancestral being
Etymology:
Jauraworka. From kaka
near and puna
to grind, to crush into fragments
Mythology:
With his weapons he would smash to pieces anyone who came near him. Therefore his invocatory songs are sung, so as to be able to defeat one's enemies ("others").
- [67]
Ngardutjelpani name of ancestral being
Etymology:
From ngardu
type of edible seed, tjelpa
leaf and -ni
he. Meaning: 'one who pounds the ngardu seed together with the leaves'.
Ethnography:
Her invocatory songs are sung for [the increase of] birds' eggs.
- [68]
Tidnaparkulu name of ancestral being
Etymology:
[The name of this muramura signifies] three feet.
Ethnography:
His invocatory songs are sung for the increase of [wild] turkeys. cf. the legend.
- [69]
Marupillakani name of ancestral being
Etymology:
From maru
plain, pilla
black, and -ni
she. Meaning: 'one who camps on a dark plain'.
Ethnography:
[Her invocatory songs are sung] for the increase of [edible] seeds.
- [70]
Miralina name of ancestral being
Etymology:
The name of this muramura signifies 'one who gives light'.
Ethnography:
[His invocatory songs are sung] for the increase of emus.
- [71]
Marlu name of ancestral being
Etymology:
Tirari, means 'opossum'.
Ethnography:
[His invocatory songs are sung] for the increase of opossums. For the chanting of invocatory [or totemic] songs a man must be smeared with fat and red ochre. No unclean [or contaminated] person may sing a totemic song or attend a [sacred] ceremony.